Featured Competition: Notre-Dame Cathedral
“Time is the architect, the nation is the builder” Victor Hugo
The ongoing construction of Notre Dame has been the embodiment of more than 850 years of the city’s existence, a chronicle of its temperament, the wars and peace, captivity and liberation, struggles, progress, legends, its gods and demons, revolutions, its literature, reforms, strikes. It has been tarnished, bearing the stresses that come with age, struck by disasters, violated and restored, each time through a sense of solidarity that comes at times of deeply shared feeling.
The recent fire, another incident in its long years has once again inspired such a moment of collective will, as natural as tending to a somatic malady as it were. Our project will stage Notre Dame and Paris as a corpus of interdependent parts through the restoration process. Seen as such we would do no better than to substitute a prosthetic for a treatable limb by opting for glass, or carbon fiber and such under bombastic platitudes of ‘bigger and better’. The roof and the spire will be built as they were, as they should. The devised methods will be modern and the use of newest technology for their restoration is imperative, patently a matter of crucial necessity. However what warrants their existence, and by that we mean essence, is neither sustained by the display of novelties, nor spurs of emotion calling for the quickest remedy, but the procedure of desire that will continue in its course for as long as it takes.
Shrouded in layers of diaphanous membranes hung on an all enclosing scaffold, the visitors can experience an immersive one to one encounter with the building details, and the reconstruction of roof and spire through a series of dedicated paths accessed by lifts.
Facing Paris the scaffold built to the height of the spire can be used for curatorial display of relics or projections on special occasions. A voided cruciform sliver marks and commemorates the loss of the roof and the spire over the transepts. Notre Dame will faintly be visible as though in the transitional stage of a butterfly in chrysalis. Its presence is rather felt, throughout in an act of collective re-membering.
The ongoing construction of Notre Dame has been the embodiment of more than 850 years of the city’s existence, a chronicle of its temperament, the wars and peace, captivity and liberation, struggles, progress, legends, its gods and demons, revolutions, its literature, reforms, strikes. It has been tarnished, bearing the stresses that come with age, struck by disasters, violated and restored, each time through a sense of solidarity that comes at times of deeply shared feeling.
The recent fire, another incident in its long years has once again inspired such a moment of collective will, as natural as tending to a somatic malady as it were. Our project will stage Notre Dame and Paris as a corpus of interdependent parts through the restoration process. Seen as such we would do no better than to substitute a prosthetic for a treatable limb by opting for glass, or carbon fiber and such under bombastic platitudes of ‘bigger and better’. The roof and the spire will be built as they were, as they should. The devised methods will be modern and the use of newest technology for their restoration is imperative, patently a matter of crucial necessity. However what warrants their existence, and by that we mean essence, is neither sustained by the display of novelties, nor spurs of emotion calling for the quickest remedy, but the procedure of desire that will continue in its course for as long as it takes.
Shrouded in layers of diaphanous membranes hung on an all enclosing scaffold, the visitors can experience an immersive one to one encounter with the building details, and the reconstruction of roof and spire through a series of dedicated paths accessed by lifts.
Facing Paris the scaffold built to the height of the spire can be used for curatorial display of relics or projections on special occasions. A voided cruciform sliver marks and commemorates the loss of the roof and the spire over the transepts. Notre Dame will faintly be visible as though in the transitional stage of a butterfly in chrysalis. Its presence is rather felt, throughout in an act of collective re-membering.
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Featured Competition: Rijksstudio International design competition
